If you haven’t heard about the mounting lawsuit against ‘Moose Diesel’ of Light Nightclub in Las Vegas, you need to.
You will no doubt see multiple points of view and tons of speculation….you will also see evidence surface and some very ugly truths.
At the heart of it all you will see bold-faced sexual harassment.
Because other more notable blogs have already begun to cover this story in-depth, I will be pulling from them rather than duplicating efforts. Let us begin:
“The lawsuit, filed by attorney Donald Campbell, was the result of a sexual harassment case experienced by his Jane Doe client after she applied for a table hostess position at Light this past January.”-White Raver Rafting
In clubs everywhere, you have probably seen the beautiful girls that walk your fancy bottle of booze to the table. You’ve heard they make insane amounts of money for their trouble and probably get their fair share of unwanted advances. But you’ve probably never heard this:
” In reading over these documents, it looks as if Moose Diesel wanting to get the plaintiff in bed. It details everything from being instructed to drink alcohol and take drugs with high-level employees (like Abdi and Sasson) while on the clock to the numerous sexual advances that Abdi is alleged to have made towards the plaintiff. This went from vulgar remarks and repeated suggestions for the plaintiff to touch Abdi’s genitals to forced touching of his genitals to an incident in a Light green room where Moose Diesel “forcibly attempted to perform oral sex” on the plaintiff… among other acts.” Do Androids Dance
Regardless of what you think paying customers may be entitled to, set that all aside and think about what you just read. Imagine dealing with the usual stresses of being a bottle girl coupled with your boss trying to coerce oral sex, forcing you to touch his genitals, and constantly berating you. I’ve said numerous times that slut-shaming is disgusting and wrong, so let’s analyze this:
- You are expected to wear your uniform, in this case of bottle girls, it’s usually “sexy”
The whole ‘asking for it’ bullshit shovanistic argument is kind of moot point. I couldn’t tell you what the exact uniform bottle girls there wear, but knowing vegas and clubs…it was likely one that was anything but conservative. Not to mention, the only thing you should be expected to do is bring expensive alcoholic bottle from point A to point B. Maybe be nice too. That should be it. And it gets worse:
“…the charges, when listed completely, paint an even darker picture: “rampant sexual harassment, drug use on the property, assault, battery, creating a hostile work environment, intentional infliction of emotional distress, attempted workplace intimidation.”-Do Androids Dance
The big takeaway here is: this is wholly unacceptable. This is NOT ok. A female worker in any fucking field is entitled to fucking respect. That should be gospel, law, and commonplace practice.
The twitter-bound EDM community has plenty of time to kvetch and rant about drama amongst ourselves. Let’s collectively focus our attention on this abhorrence, and make sure this isn’t dismissed as the “same ol story” and put to bed behind closed doors.
In the days after the cancellation of Electric Zoo 2013 discussions centralized around the tragedies of the two deceased patrons where media outlets flocked like moths to the funeral pyre of EDM’s public reputation, shedding a dark light on the industry and vastly overlooking some positive outcomes of festivals like Electric Zoo.
I’m here to report on one such positive outcome largely overlooked by the mainstream media.
Amid a sea of more than 110,000 people, two individuals shared a unique moment they will remember for the rest of their lives. Known on Twitter as ‘DJ Boyfriend’ and ‘DJ Girlfriend’, Chris and Ashley have been lovers of music ever since they met at the State College of New York’s Albany campus. Ever since their first date at Webster Hall, the pair felt a strong connection to dance music, and felt a strong connection to their fellow patrons who they affectionately refer to as their ‘family’.
I’ve been pretty vocal lately: about the impact Electric Zoo’s cancellation and the effect that mass ‘molly-scare’ is having on our scene and on our community. But I thought today it might be pertinent to touch on something I rarely bring up in editorials: perception.
I’ve been incredibly blessed to have met several of my favorite DJ’s and producers face-to-face, often making incredible connections and in some rare cases even staying close friends. Without naming any names, some have even come up to me and instantly recognized me at show (yes, ME, a tiny little twittersona in a mask).
While musicality is most of what draws me to a performer, and stage presence often affects how I enjoy the bulk of a performance, interacting directly with a musician of any kind often has a strong lasting effect on how I enjoy their music.
For example, I was very much still in the discovery period when I first met ‘crunkstep’ DJ Crizzly on my birthday. Having only taken a quick glance at his Soundcloud and curious to hear what it would translate to live, meeting him and his hype man Cool simply added a new dimension to their understanding of their music. Chris himself, though boasting a big sound, is refreshingly down-to-earth and comes somewhat quiet; whereas Cool is brilliantly intellectual, fills a room with energy, and while larger-than-life on stage is incredibly humble off-stage.
Similarly, meeting some of the New York local DJ’s has proved an incredible experience: having met Tyler Sherritt, Hyperbits, and 1/2 of Live City has added a more personal connection to their sound whenever one of their tracks pops up in their playlist: I understand a bit better how their individuality comes across in their production and arrangement choices.
Even HUGE inspirational DJ/producers whose tracks have been my support system and my anthems in times of need have managed to add dimension to the tracks I so dearly love. After winning a ticket to see Dash Berlin after EDC NY I somehow managed to see him face-to-face and shake his hand. Though very few words were spoken, and he now wears my ‘Silence in Your Heart’ kandi…I feel that whenever that track comes on, I am even more in love with it and him than ever before.
In rare cases where I met performers whose shows I attended as a discovery experience, I was met with incredible acceptance and kindness: Dirtyphonics stayed behind to sign a poster from their Irreverence tour and took a moment to meet me and thank me for coming. Le Castlevania was even kind enough to offer me water: though his music is aggressive and wholly immersive, the man himself is incredibly shy, yet down to earth.
If you ever have the chance to attend a meet and greet, or even score the rare opportunity to meet the maker of your personal anthem, DO IT. It can add such a rich dimension to your appreciation of their work.
What DJ/Producers have you been blessed to meet? Tell me in the comments 🙂
Within the first few seconds of receiving news that Sunday of Electric Zoo was cancelled, I was devastated. Distraught initially because I would once again be missing Armin and would not be seeing Vicetone. And like many, I took my fury to Twitter, lashing out angrily to every corner of the internet, blaming irresponsible people for single-handedly ruining my weekend.
That was incredibly selfish, and I’m sorry.
There were multiple factors in the cancellation of Electric Zoo, the most prominent and most reported being the two deaths due to drug overdoses. However these were not the only problems present at the festival itself. As I go on to list these issues I want to make it VERY VERY CLEAR that I am of the opinion that it was in NO WAY Made Event of the Electric Zoo 2013 officials’ fault for these problems:
- Security was not sufficient.
- Medical staff, while available did not check surrounding areas for fallen ravers.
- Certain volunteers / staff not only endorsed frequent ‘molly’ use, there was an incidence of a ‘we want molly’ tip sign at one water station.
- Certain ‘rented’ security staff was not only discourteous, they made unwanted flirtatious advances on female ravers such as myself.
- Apparel promoting drugs use was permitted at the event, only contributing to the ‘hype’ of drug use.
- Excessive shoving and general misconduct from attendees exacerbated already dehydrated ravers, only adding tension to already negative situations of crowding and overheating.
- Songs about ‘Molly’ including Tyga’s ‘Molly’ and Cedric Gervais’ hit song were dropped, only adding to unnecessary hype of the drug
Again, none of these are Made Event of Electric Zoo’s fault. It is important to note that in 2012 Electric Zoo had no deaths. As pop stars and rappers have begun to bolster the hype of drug use and wild partying, our festivals are getting inundated with unsafe expectations that tons of drugs and drinking are required to make the EDM scene enjoyable…encouraging newcomers to create their own ‘Project X‘ at shows like EDC and EZOO instead of simply coming to enjoy the music.
Spoiler Alert; You Don’t Need Drugs To Enjoy EDM
DJ’s such as Bassnectar and Brillz have released official statements about the situation, pleading with their fanbase to be safe and take accountability for their actions. Videos such as the the vimeo clip featuring major acts like Kaskade, Tommie Sunshine, Steve Aoki, and A-Trak have been circulated begging those who do partake in substances to be extremely careful of their actions.
Actions such as taking “6 hits of molly”, leaving a friend by themselves if you know that they are intoxicated or impaired, and buying illegal substances from someone you’ve never met without testing it are just a few examples of unnecessary risks that were taken and contributed to the deaths of these two young individuals. Preventable actions.
While some have made the argument that shutting down the zoo because the poor decisions of 6 people should not affect thousands who have shelled out hundreds of dollars to enjoy their favorite musicians, its important to understand that the decision was ultimately Mayor Bloomberg‘s. While it angered many, like myself it was a wake-up call: if we do not tackle this problem head-on more and more EDM events will be cancelled, banned, and characterized as ‘death fests’, ‘drug sprees’, and ravers like you and me will be labelled ‘drug addicts’. While you can’t convince major news networks to undo the damage they are doing by stigmatizing us with each and every false depiction of all ravers being drug abusers who yell ‘popped a molly I’m sweating’ every 2.5 seconds, what you can do it this:
- Don’t buy anything endorsing ‘molly’, ‘mdma’, or drugs of any kind
- Demand that your favorite DJ’s stop the endorsement of drug usage of any kind
- Demand tracks promoting ‘molly’ and other hard drugs be removed from their set lists; Heck, even walk out as soon as they come on
- Demand harsher security that ACTUALLY checks for drugs THOROUGHLY
If purging molly from our shows means we can continue to have our major festivals and enjoy our favorite acts free of stigma and death, I say let’s do it. Who’s with me?
Something that has been irritating me for a considerable amount of time is the concept that all EDM events are ‘raves’, that all that listen to EDM as ‘ravers’, and that ‘PLUR’ can be mindlessly spewed and even defecated on with alterations like ‘PLURNT’ and ‘PLUR Bitch!’
I’m sorry, but Kandi kids aren’t necessarily the club crowd and the club crowd isn’t necessarily the ‘kandi-kid’ crowd that is celebrated on instagram. EDMsnob wrote a fantastic piece explaining the rich history of those wearing kandi, so I don’t feel the need to go into depth (especially since I’m a much newer face in that arena). But I will say is this:
Of the many people I’ve come across that tweet things tagged with ‘#PLUR’ and initiate projects that claim to be ‘PLUR’ and hock product with the false pretense that they are truly ‘ravers’, I have found that a startling few are who they claim to be. Very seldom do you meet someone whose Twitter handle or association precedes them, and find a genuine representation of what ‘ravers’ truly are.
After spending a night unwinding with some of the very first people to ever recognize me as ‘Ragehound’, I took a minute to look back on all the hard work I’ve put into taking the time to connect with anyone who has every reached out to me. Some have been incredible: they have accepted me with open arms, made me feel like a family member, and given me a sense of acceptance that no one ever could previously in my life. Some have taken time out of their day to come and meet with me, to teach me how to use a perler board, how to make a cuff, even gotten me a water and helped me to the front row my first time seeing a certain DJ. Some have held my hand and sung along to my favorite lyrics and cried with me when ‘that moment’ of a festival when it ends and the ‘comedown’ effect sets in full force. Some have stayed with me when I’ve stupidly tested my limits with drugs and alcohol and gotten too out of control and made sure I got home safe.
These kandi-clad people have been more of a family to me than my own at times, and that is why I get livid when their lifestyle is equated to a joke.
I view those who hock PLUR as a marketing tool as a joke. I also look at those who have begged and pleaded me to tweet their crap, promote their shitty venues, and support their jaded causes which wind up just being another marketing tool as jokers as well. Nonetheless I tweeted, I facebooked, I supported and championed them because that’s the person I am. I suppose what irked me in some cases, was when it came time when I needed that same favor, some magically found it ‘not feasible’ or suddenly ‘just didn’t have the time’.
What I largely discovered, was that these were the people who didn’t arrive at festivals with kandi they’d spent hours and hours making especially for people they knew and loved. These were not the people who sometimes went as far as to coordinate with their friends to match costumes, made sure everyone was hydrated, or took the time to explain subtleties of the music to newcomers who had seen a trailer for a festival on Youtube and yearned to experience an EDM festival for themselves. Instead, these were the people who wrote condescending articles in response to kandi kids, who scoffed and laughed at articles like my own explaining the connection between PLUR and charity, and who would leave comments like this on pictures of girls dressed for raves:
And these people are largely the ‘club’ crowd: the crowd that goes to ‘fine establishments’ to enjoy bottle service, listen to a carefully curated selection of ‘techno’ that they feel is far superior to the ‘drop heavy’ sets one hears at festivals (which I can respect), and views the ‘raver’ crowd as a mass of drug-addicted youngsters too jaded to understand what real music is. These are the people who will belittle you for the music you listen to, the clothes you wear, and wave their smug sense of entitlement about like a magic wand. They will tell you the ‘kandi kids’ are awful, tell you how they yearn for when no one knew about Tiesto or Hardwell, and when EDC wasn’t a neon parade of girls in underwear. They probably won’t let you get to the front of the stage, or offer you water. They may instead sneer at you with your parched mouth, thinking you ‘popped a molly and you are sweating’, and as a result think of you as some colorful insect pestering them.
So when individuals such as this tweet about ‘PLUR’ and wave their smug sense of self-importance at others while trying to call themselves ‘ravers’, I get frustrated. These were the individuals pouring beers from the VIP balcony onto shuffling ravers below at Pacha during Tyler Sherritt’s set (oh don’t worry, I saw you bunch of fools and I’ll return the favor). These were the assholes who elbowed a girl in the face next to me at Zedd when she tried to edge in front of a taller person to see.
These people aren’t ‘ravers’. They don’t preach ‘PLUR’, and probably can’t tell you where it originated. Don’t call them ravers; it’s an insult to those of us who are.
Jordan, aka ‘Excerpt‘ is a progressive house producer from Indianapolis, IN, a growing scene with an increase in dance music events, one of the biggest being Identity Festival. With his most recent EP ‘Beta’ accepted to Pandora, and available on iTunes and Beatport as of July 1, I was very excited to get a chance to speak to him! Before taking to the computer, Jordan was a member of a local rock band. However in the past three years he has begun experimenting with mid-tempo electronic and electro sounds to produce a more ‘energetic’ sound. Getting his first taste of techno through established names such as Daft Punk, and later delving into Wolfgang Gartner and Deadmau5, much of Jordan’s earlier work is ‘mellow’ and more down-tempo than his more recent additions.