Prowling the Airwaves and the Underground for the best in EDM

Posts tagged “Twitter

Shut up about your petty drama, this is what we need to complain about

If you haven’t heard about the mounting lawsuit against ‘Moose Diesel’ of Light Nightclub in Las Vegas, you need to.

You will no doubt see multiple points of view and tons of speculation….you will also see evidence surface and some very ugly truths.

At the heart of it all you will see bold-faced sexual harassment.

Because other more notable blogs have already begun to cover this story in-depth, I will be pulling from them rather than duplicating efforts. Let us begin:

“The lawsuit, filed by attorney Donald Campbell, was the result of a sexual harassment case experienced by his Jane Doe client after she applied for a table hostess position at Light this past January.”-White Raver Rafting

In clubs everywhere, you have probably seen the beautiful girls that walk your fancy bottle of booze to the table. You’ve heard they make insane amounts of money for their trouble and probably get their fair share of unwanted advances. But you’ve probably never heard this:

” In reading over these documents, it looks as if Moose Diesel wanting to get the plaintiff in bed. It details everything from being instructed to drink alcohol and take drugs with high-level employees (like Abdi and Sasson) while on the clock to the numerous sexual advances that Abdi is alleged to have made towards the plaintiff. This went from vulgar remarks and repeated suggestions for the plaintiff to touch Abdi’s genitals to forced touching of his genitals to an incident in a Light green room where Moose Diesel “forcibly attempted to perform oral sex” on the plaintiff… among other acts.” Do Androids Dance

Regardless of what you think paying customers may be entitled to, set that all aside and think about what you just read. Imagine dealing with the usual stresses of being a bottle girl coupled with your boss trying to coerce oral sex, forcing you to touch his genitals, and constantly berating you. I’ve said numerous times that slut-shaming is disgusting and wrong, so let’s analyze this:

  • You are expected to wear your uniform, in this case of bottle girls, it’s usually “sexy”

The whole ‘asking for it’ bullshit shovanistic argument is kind of moot point. I couldn’t tell you what the exact uniform bottle girls there wear, but knowing vegas and clubs…it was likely one that was anything but conservative. Not to mention, the only thing you should be expected to do is bring expensive alcoholic bottle from point A to point B. Maybe be nice too. That should be it. And it gets worse:

Full

This is a snippet of some of the allegations. The full file can be found here

“…the charges, when listed completely, paint an even darker picture: “rampant sexual harassment, drug use on the property, assault, battery, creating a hostile work environment, intentional infliction of emotional distress, attempted workplace intimidation.”-Do Androids Dance

The big takeaway here is: this is wholly unacceptable. This is NOT ok. A female worker in any fucking field is entitled to fucking respect. That should be gospel, law, and commonplace practice.

The twitter-bound EDM community has plenty of time to kvetch and rant about drama amongst ourselves. Let’s collectively focus our attention on this abhorrence, and make sure this isn’t dismissed as the “same ol story” and put to bed behind closed doors.

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Dreams are wishes the soul makes: This is mine.

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I’ve only ever told a few people about my goals, my dreams, and where exactly I want to go in this life. Most commonly, this has been because I didn’t rightfully know what I wanted to do. Sure, I had ‘big ideas’ and I’ve had plenty of ideas for inventions and events here and there…but never a real sense of purpose or a ‘yellow brick road’ leading to an awe-inspiring goal.

I have many idols. There are women like Lady Casa, a shining light of the concept of PLUR and starter of ‘oPLURation: Dance For Dooby‘. There are women like Cindy Gallop, an unabashed brazen media badass that dared to challenge how we discuss sex and porn…by saying ‘cum on my face’ point-blank to a stunned audience at TED and starting Make Love Not Porn. There are many people whose steadfast commitment and dedication to their brand, their ideals, and their final goal I have greatly admired.

I never started my twitter with the intention of amassing followers (though later on, I tried to challenge myself to set and meet goals of how many I had), and had never really viewed my account or ‘voice’ as a springboard for chasing a dream…but as I’ve just passed my ‘anniversary’ of joining twitter as an anon..I want to share a dream that I want to come true.

I have always had a passion for trying to take what I know and utilize it to help others succeed: I’ve photoshopped countless posters, re-touched I don’t know how many headshots, helped explain the basics of effective social media, and really done my best to go above and beyond for as many people as I can.

However my dream is to take all that I’ve learned and pour it into one concerted effort: My dream is to start my very own marketing agency.

I want to take local talent that might not be the best at social media, self-marketing, or even have the budget for expensive creative shops and put them in a position to succeed. I want to put on a showcase event taking female DJ’s that kick ass and celebrate their talents for one night separate from their male counterparts. I want to help DJ’s (both male, female, and gender neutral) understand the money behind social promotions and exactly what they can do (paid and unpaid) to put the right foot forward and succeed.

I haven’t set any of this in motion of course, and many of these ideas are still in the planning stages. But just as I embark on my new dream, remember to chase your own!


Electronica Oasis Exclusive: Small Moments Like These

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In the days after the cancellation of Electric Zoo 2013 discussions centralized around the tragedies of the two deceased patrons where media outlets flocked like moths to the funeral pyre of EDM’s public reputation, shedding a dark light on the industry and vastly overlooking some positive outcomes of festivals like Electric Zoo.

I’m here to report on one such positive outcome largely overlooked by the mainstream media.

Amid a sea of more than 110,000 people, two individuals shared a unique moment they will remember for the rest of their lives. Known on Twitter as ‘DJ Boyfriend’ and ‘DJ Girlfriend’, Chris and Ashley have been lovers of music ever since they met at the State College of New York’s Albany campus. Ever since their first date at Webster Hall, the pair felt a strong connection to dance music, and felt a strong connection to their fellow patrons who they affectionately refer to as their ‘family’.

To Read the full piece, check out Electronica Oasis ❤


Perception and Music

I’ve been pretty vocal lately: about the impact Electric Zoo’s cancellation and the effect that mass ‘molly-scare’ is having on our scene and on our community. But I thought today it might be pertinent to touch on something I rarely bring up in editorials: perception.

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I’ve been incredibly blessed to have met several of my favorite DJ’s and producers face-to-face, often making incredible connections and in some rare cases even staying close friends. Without naming any names, some have even come up to me and instantly recognized me at show (yes, ME, a tiny little twittersona in a mask).

While musicality is most of what draws me to a performer, and stage presence often affects how I enjoy the bulk of a performance, interacting directly with a musician of any kind often has a strong lasting effect on how I enjoy their music.

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For example, I was very much still in the discovery period when I first met ‘crunkstep’ DJ Crizzly on my birthday. Having only taken a quick glance at his Soundcloud and curious to hear what it would translate to live, meeting him and his hype man Cool simply added a new dimension to their understanding of their music. Chris himself, though boasting a big sound, is refreshingly down-to-earth and comes somewhat quiet; whereas Cool is brilliantly intellectual, fills a room with energy, and while larger-than-life on stage is incredibly humble off-stage.

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Similarly, meeting some of the New York local DJ’s has proved an incredible experience: having met Tyler Sherritt, Hyperbits, and 1/2 of Live City has added a more personal connection to their sound whenever one of their tracks pops up in their playlist: I understand a bit better how their individuality comes across in their production and arrangement choices.

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Even HUGE inspirational DJ/producers whose tracks have been my support system and my anthems in times of need have managed to add dimension to the tracks I so dearly love. After winning a ticket to see Dash Berlin after EDC NY I somehow managed to see him face-to-face and shake his hand. Though very few words were spoken, and he now wears my ‘Silence in Your Heart’ kandi…I feel that whenever that track comes on, I am even more in love with it and him than ever before.

In rare cases where I met performers whose shows I attended as a discovery experience, I was met with incredible acceptance and kindness: Dirtyphonics stayed behind to sign a poster from their Irreverence tour and took a moment to meet me and thank me for coming. Le Castlevania was even kind enough to offer me water: though his music is aggressive and wholly immersive, the man himself is incredibly shy, yet down to earth.

If you ever have the chance to attend a meet and greet, or even score the rare opportunity to meet the maker of your personal anthem, DO IT. It can add such a rich dimension to your appreciation of their work.

What DJ/Producers have you been blessed to meet? Tell me in the comments 🙂  


Where I Stand on The Electric Zoo Victims; An Apology

Within the first few seconds of receiving news that Sunday of Electric Zoo was cancelled, I was devastated. Distraught initially because I would once again be missing Armin and would not be seeing Vicetone. And like many, I took my fury to Twitter, lashing out angrily to every corner of the internet, blaming irresponsible people for single-handedly ruining my weekend.

That was incredibly selfish, and I’m sorry.

There were multiple factors in the cancellation of Electric Zoo, the most prominent and most reported being the two deaths due to drug overdoses. However these were not the only problems present at the festival itself. As I go on to list these issues I want to make it VERY VERY CLEAR that I am of the opinion that it was in NO WAY Made Event of the Electric Zoo 2013 officials’ fault for these problems:

  • Security was not sufficient.
  • Medical staff, while available did not check surrounding areas for fallen ravers.
  • Certain volunteers / staff not only endorsed frequent ‘molly’ use, there was an incidence of a ‘we want molly’ tip sign at one water station.
For example, why these two were not immediately ejected from the premises for endorsing illegal drug use is FAR beyond me (found by @RJM_PLUR)

For example, why these two were not immediately ejected from the premises for endorsing illegal drug use is FAR beyond me (found by @RJM_PLUR)

 

  • Certain ‘rented’ security staff was not only discourteous, they made unwanted flirtatious advances on female ravers such as myself.
  • Apparel promoting drugs use was permitted at the event, only contributing to the ‘hype’ of drug use.
  • Excessive shoving and general misconduct from attendees exacerbated already dehydrated ravers, only adding tension to already negative situations of crowding and overheating.
  • Songs about ‘Molly’ including Tyga’s ‘Molly’ and Cedric Gervais’ hit song were dropped, only adding to unnecessary hype of the drug

Again, none of these are Made Event of Electric Zoo’s fault. It is important to note that in 2012 Electric Zoo had no deaths. As pop stars and rappers have begun to bolster the hype of drug use and wild partying, our festivals are getting inundated with unsafe expectations that tons of drugs and drinking are required to make the EDM scene enjoyable…encouraging newcomers to create their own ‘Project X‘ at shows like EDC and EZOO instead of simply coming to enjoy the music.

Spoiler Alert; You Don’t Need Drugs To Enjoy EDM

DJ’s such as Bassnectar and Brillz have released official statements about the situation, pleading with their fanbase to be safe and take accountability for their actions. Videos such as the the vimeo clip featuring major acts like Kaskade, Tommie Sunshine, Steve Aoki, and A-Trak have been circulated begging those who do partake in substances to be extremely careful of their actions.


Actions such as taking “6 hits of molly”, leaving a friend by themselves if you know that they are intoxicated or impaired, and buying illegal substances from someone you’ve never met without testing it are just a few examples of unnecessary risks that were taken and contributed to the deaths of these two young individuals. Preventable actions.

While some have made the argument that shutting down the zoo because the poor decisions of 6 people should not affect thousands who have shelled out hundreds of dollars to enjoy their favorite musicians, its important to understand that the decision was ultimately Mayor Bloomberg‘s. While it angered many, like myself it was a wake-up call: if we do not tackle this problem head-on more and more EDM events will be cancelled, banned, and characterized as ‘death fests’, ‘drug sprees’, and ravers like you and me will be labelled ‘drug addicts’. While you can’t convince major news networks to undo the damage they are doing by stigmatizing us with each and every false depiction of all ravers being drug abusers who yell ‘popped a molly I’m sweating’ every 2.5 seconds, what you can do it this:

  • Don’t buy anything endorsing ‘molly’, ‘mdma’, or drugs of any kind
  • Demand that your favorite DJ’s stop the endorsement of drug usage of any kind
  • Demand tracks promoting ‘molly’ and other hard drugs be removed from their set lists; Heck, even walk out as soon as they come on
  • Demand harsher security that ACTUALLY checks for drugs THOROUGHLY

If purging molly from our shows means we can continue to have our major festivals and enjoy our favorite acts free of stigma and death, I say let’s do it. Who’s with me?


Social Savvy Raver

So as you may or may not know, in addition to be a wild and crazy raver clad in anything from a neon bikini to bedazzled bras to lace / leather…I’m also adept in social media.

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What has always confounded me, is how much time and effort agencies, Producers, DJs, and blogs put into maintaining a social presence…without ever bothering to track their progress. Simply hopping onto Twittercounter and charting success by follower count  and number of retweets is all well and good…but are you really measuring your progress effectively?

Spoiler Alert: No, you aren’t. And here’s why:

Are you tracking all your mentions?

Chances are, if all you are looking at are retweets and how many people slapped the ‘follow’ button, you aren’t actually tracking how many people mentioned you and endorsed you to their friends. In many cases, sharing links from Soundcloud and other music sharing sites do not always share and tag your twitter handle. Similarly, sometimes your fans can’t remember your handle and simply tweet mentions of you with your name. Try searching for you name instead of just your hashtag.

Do you actually know which network you’re having the most success on?

Source: Klout, statistics from @Ragehound

Source: Klout, statistics from @Ragehound

If you’re going off of strict follower counts alone, you might not be valuing how many people interact with you on each medium, and not taking into account the value of interactions on more effective mediums.

Do you actually know how well-liked or influential you are?

Source: Social Mention, @ragehound account

Source: Social Mention, @ragehound account

Tools like Social Mention are able to track your mentions as well as sentiment by looking at how many positive, negative, and neutral mentions there are of your account. If you aren’t sure if people actually like you or your brand…this is a pretty handy ‘stats at a glance’.

Do you know who your advocates are? Or your most popular hashtags?

Source: Social Mention, @ragehound account

Source: Social Mention, @ragehound account

Chances are, you’ve been valuing your ‘advocates’ by their follower count. That is somewhat effective, but what you should really be looking at is who interacts with you most and what value they bring in addition to their follower count.

Finally, are you using any tools?

If you aren’t you should. Klout, Social Mention, Twittercounter, Hootsuite, and Topsy are all free and extremely easy to use. Hopefully, by being smarter about how you track mentions and who your true advocates are, you can start to make smarter decisions on social (and heck, maybe even a return on the investment of your time and energy).


Kandi Kids vs. Club Scene: What Real Ravers Are

Something that has been irritating me for a considerable amount of time is the concept that all EDM events are ‘raves’, that all that listen to EDM as ‘ravers’, and that ‘PLUR’ can be mindlessly spewed and even defecated on with alterations like ‘PLURNT’ and ‘PLUR Bitch!’

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I’m sorry, but Kandi kids aren’t necessarily the club crowd and the club crowd isn’t necessarily the ‘kandi-kid’ crowd that is celebrated on instagram. EDMsnob wrote a fantastic piece explaining the rich history of those wearing kandi, so I don’t feel the need to go into depth (especially since I’m a much newer face in that arena). But I will say is this:

Of the many people I’ve come across that tweet things tagged with ‘#PLUR’ and initiate projects that claim to be  ‘PLUR’ and hock product with the false pretense that they are truly ‘ravers’, I have found that a startling few are who they claim to be. Very seldom do you meet someone whose Twitter handle or association precedes them, and find a genuine representation of what ‘ravers’ truly are.

After spending a night unwinding with some of the very first people to ever recognize me as ‘Ragehound’, I took a minute to look back on all the hard work I’ve put into taking the time to connect with anyone who has every reached out to me. Some have been incredible: they have accepted me with open arms, made me feel like a family member, and given me a sense of acceptance that no one ever could previously in my life. Some have taken time out of their day to come and meet with me, to teach me how to use a perler board, how to make a cuff, even gotten me a water and helped me to the front row my first time seeing a certain DJ. Some have held my hand and sung along to my favorite lyrics and cried with me when ‘that moment’ of a festival when it ends and the ‘comedown’ effect sets in full force. Some have stayed with me when I’ve stupidly tested my limits with drugs and alcohol and gotten too out of control and made sure I got home safe.

These kandi-clad people have been more of a family to me than my own at times, and that is why I get livid when their lifestyle is equated to a joke.

I view those who hock PLUR as a marketing tool as a joke. I also look at those who have begged and pleaded me to tweet their crap, promote their shitty venues, and support their jaded causes which wind up just being another marketing tool as jokers as well. Nonetheless I tweeted, I facebooked, I supported and championed them because that’s the person I am. I suppose what irked me in some cases, was when it came time when I needed that same favor, some magically found it ‘not feasible’ or suddenly ‘just didn’t have the time’.

What I largely discovered, was that these were the people who didn’t arrive at festivals with kandi they’d spent hours and hours making especially for people they knew and loved. These were not the people who sometimes went as far as to coordinate with their friends to match costumes, made sure everyone was hydrated, or took the time to explain subtleties of the music to newcomers who had seen a trailer for a festival on Youtube and yearned to experience an EDM festival for themselves. Instead, these were the people who wrote condescending articles in response to kandi kids, who scoffed and laughed at articles like my own explaining the connection between PLUR and charity, and who would leave comments like this on pictures of girls dressed for raves:

 

And these people are largely the ‘club’ crowd: the crowd that goes to ‘fine establishments’ to enjoy bottle service, listen to a carefully curated selection of ‘techno’ that they feel is far superior to the ‘drop heavy’ sets one hears at festivals (which I can respect), and views the ‘raver’ crowd as a mass of drug-addicted youngsters too jaded to understand what real music is. These are the people who will belittle you for the music you listen to, the clothes you wear, and wave their smug sense of entitlement about like a magic wand. They will tell you the ‘kandi kids’ are awful, tell you how they yearn for when no one knew about Tiesto or Hardwell, and when EDC wasn’t a neon parade of girls in underwear. They probably won’t let you get to the front of the stage, or offer you water. They may instead sneer at you with your parched mouth, thinking you ‘popped a molly and you are sweating’, and as a result think of you as some colorful insect pestering them.

So when individuals such as this tweet about ‘PLUR’ and wave their smug sense of self-importance at others while trying to call themselves ‘ravers’, I get frustrated. These were the individuals  pouring beers from the VIP balcony onto shuffling ravers below at Pacha during Tyler Sherritt’s set (oh don’t worry, I saw you bunch of fools and I’ll return the favor). These were the assholes who elbowed a girl in the face next to me at Zedd when she tried to edge in front of a taller person to see.

These people aren’t ‘ravers’. They don’t preach ‘PLUR’, and probably can’t tell you where it originated. Don’t call them ravers; it’s an insult to those of us who are.

Thank you,

~The Hound


Interview with Excerpt

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Jordan, aka ‘Excerpt‘ is a progressive house producer from Indianapolis, IN, a growing scene with an increase in dance music events, one of the biggest being Identity Festival. With his most recent EP ‘Beta’ accepted to Pandora, and available on iTunes and Beatport as of July 1, I was very excited to get a chance to speak to him! Before taking to the computer, Jordan was a member of a local rock band. However in the past three years he has begun experimenting with mid-tempo electronic and electro sounds to produce a more ‘energetic’ sound. Getting his first taste of techno through established names such as Daft Punk, and later delving into Wolfgang Gartner and Deadmau5, much of Jordan’s earlier work is ‘mellow’ and more down-tempo than his more recent additions.

(more…)


Humanizing Social Media For the EDM Scene

Amid a sea of buying followers, promoting tweets, and ‘get followers quick’ ponzi schemes…it seems like many influencers on social media are vastly overlooking the true value of organic interaction. A simple Twitter search to see who’s talking about you, your work, or your flaws can reveal a plethora of voices you are woefully ignoring.

Think About It

Ok, so you’re not Armin van Buuren or Tiesto, but surely you can remember the first big interaction you had on social media that got you excited; maybe you got retweeted by one of your idols, followed by a major producer, or even just got a “good job” in response to a new release. What distinguishes twitter users in the EDM scene from other scenes is a fundamental and unadulterated love of the music and common wish to meet and greet like-minded individuals. What this means, is that ravers or EDM listeners are far more likely to thrive off their interactions with their favorite producers/DJs/vocalists. If you’re an established producer or vocalist, there is a strong chance you have a fan that wakes up every morning to your music, tweets giddily about you when your new work is released, and might even kiss a poster of you every morning (ok maybe not, but feel free to stroke your ego anyway). But if you haven’t reached out to these excited fans and simply employ ‘aggressive following‘ strategies or only ‘favorite’ tweets about you, you could be missing out.

Surprise & Delight

There is a term in the PR industry known as ‘surprise and delight’; meaning at special moments, you can surprise your fans with a meaningful interaction, and delight them with knowing that you have acknowledged them and took time out of your day to interact with them. This could be finding a picture someone took at your show and retweeting it, commenting on a mention of you, or even just finally following that fan who tweets about your music and tells his/her friends to buy everything you have on Beatport all the time.

Your Followers Are Your Cheerleaders

Interact with your fans more organically; search for mentions of yourself, your songs, your favorite things, and start getting more one-on-one with your fanbase. You don’t have to fake it to make it on a platform that was designed for conversation (not straight marketing), and in fact influencers such as Laidback Luke and Tiesto have demonstrated that the most important gift you can give to your fans is a moment of recognition. It says “I appreciate you” and shows that you are not just on Twitter to make money and drive content. Your fans are human, so they will appreciate when you are too.


Buying Followers in the EDM Scene; Who’s Faking It?

In the age of social media being used as a primary tool of marketing, a measure of true ‘influence’ within a space more now than ever, brands, companies, and celebrities utilize the sheer size of their fan base as a way to assert dominance in the industry and amongst their peers. That being said, it should surprise no one that some of these major success stories are not 100% the ‘social media strategies’ we are told constantly by the media, but in fact ‘fronts’ created by a phenomenon known as ‘buying followers’.

Buying Influence, Tanking Credibility

You may have noticed my constant mention of ‘buying followers’ lately on Twitter and how I think it invalidates the credibility of those who utilize it to get ahead (Not to be confused with ‘promoting tweets’ or ‘promoting handles’). But to take a step back, how does one exactly ‘buy’ followers?  In 2012 Fast Company released an article exposing the practice of ‘buying followers’, and  highlighting tools such as StatusPeople and Klout as measurement systems that help determine influence as a measure of ‘active follower’ interaction; separating the inactive fake ‘bought’ followers from active genuine fans. According to Fast Company, on websites such as buytwitterfollowers.org, as many as 5,000 ‘fake’ followers  on Twitter can be bought for as little as $77, while on sites like usocial.net a massive 4,000 Facebook followers goes for an approximated $617. What does a ‘fake’ follower look like? Blogger Zach Bussey describes these mindless bots as a ‘jumble of letters.

So Who’s ‘Fronting’?

So this got me thinking, how many of my beloved producers, DJs, and EDM anon handles are big fat fakers? If we use the tools mentioned by Fast Company, we might be able to do ‘background checks’ on followers and see exactly whose audience in engaged…and whose in comprised on mindless zombie accounts.

So who cares if you ‘fake it to make it?’…as it turns out, a lot of people do

“Turns out, buying followers is probably the worst kept secret in all of social media — and it has a potential for a nasty and public backlash.” Lauren Hockenson, The Next Web

When it was recently alleged that DJ Bl3nd bought his Facebook fanbase, it set off a backlash of negativity.  In a heated exchange of Twitter, Diplo and DJ Bl3nd traded choice words (and later blows) as to whether Dj Bl3nd’s astoundingly (and suspiciously) high follow count on Facebook  (~3 million) was a loving fanbase….or a purchased front.

So to test the validity of Diplo’s accusations, I ran the most thorough check of his Twitter (I realize it was his Facebook under fire, but I operate primarily on Twitter) on as many recognized validation sites as I could muster. Now, we must take into account that ‘bot’ accounts affect everyone, and that someone with between 1-5% fake followers is probably in the clear (or possibly has been targeted by those obnoxious ‘teamfollowback’ drones) and that being said, I think it’s fair to establish that at least 70% of your followers should be active of ‘good’ followers as according to StatusPeople’s ‘faker’ test (honestly, in school anything less than a 70 is failing, so why not apply it here?). In terms of ‘inactive’ followers, while some listing might appear to be in the red (more than 10%) having up to 30% inactive users is completely normal, and may reflect that some of your followers may be less-active twitter users (made an account, followed you, forgot, barely tweet…it happens). The number to really keep an eye on, and the comparison of ‘fake‘ to ‘good‘.

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What I discovered was that after utilizing suggestions from as many the various credible tech news resources, Diplo may have some validity in his claim…but isn’t exempt from it either.  Both he and DJ Bl3nd are reported to have more than 20% ‘fake’ followers, and less than 60% ‘good’ and active followers. While this seems a bit harsh to jump and assume either of these people are buying up followers, I did come upon some accounts with much more obvious implications. After digging around some more, a put together a small sampling of some handles who appear to buy followers, and some who probably don’t*:

BillboardToppersGraph-GRAPHIC

UpandComers

 

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(I left Diplo in there just for comparison) 

I’d like to say for the record, that I have the utmost respect for all the producers, DJs, and anons listed….and I realize that these results more than likely reflect poor decisions by their PR agencies / management. I still love and respect your music, drive, and passion; truly.

*All results are not 100% conclusive, and are merely meant to shed some insight into which accounts ACTUALLY have active followers.  I cannot speak 100% conclusively if these ‘fake’ followers were bought or not (only if they might have been). 

 It is important to note that these tools are publicly available, free, and gauge the activity and inactivity of your followers. Go check it out for yourselves.

 

Sources:

http://www.fastcompany.com/3000359/buying-twitter-followers-beware-statuspeople-service-exposes-social-medias-black-market

http://thenextweb.com/twitter/2012/12/15/fake-followers-an-easy-game-but-not-worth-the-risk/

http://www.edmsauce.com/2013/04/17/diplo-and-dj-bl3nd-exchange-words-over-social-media-followers/

http://zumic.com/2013/04/18/diplo-instigates-fight-with-dj-bl3nd-at-ims-engage-conference/

http://www.mediabistro.com/alltwitter/how-to-tell-if-someone-has-a-fake-follower-count_b14898

http://agbeat.com/social-media/twit/