If you haven’t heard about the mounting lawsuit against ‘Moose Diesel’ of Light Nightclub in Las Vegas, you need to.
You will no doubt see multiple points of view and tons of speculation….you will also see evidence surface and some very ugly truths.
At the heart of it all you will see bold-faced sexual harassment.
Because other more notable blogs have already begun to cover this story in-depth, I will be pulling from them rather than duplicating efforts. Let us begin:
“The lawsuit, filed by attorney Donald Campbell, was the result of a sexual harassment case experienced by his Jane Doe client after she applied for a table hostess position at Light this past January.”-White Raver Rafting
In clubs everywhere, you have probably seen the beautiful girls that walk your fancy bottle of booze to the table. You’ve heard they make insane amounts of money for their trouble and probably get their fair share of unwanted advances. But you’ve probably never heard this:
” In reading over these documents, it looks as if Moose Diesel wanting to get the plaintiff in bed. It details everything from being instructed to drink alcohol and take drugs with high-level employees (like Abdi and Sasson) while on the clock to the numerous sexual advances that Abdi is alleged to have made towards the plaintiff. This went from vulgar remarks and repeated suggestions for the plaintiff to touch Abdi’s genitals to forced touching of his genitals to an incident in a Light green room where Moose Diesel “forcibly attempted to perform oral sex” on the plaintiff… among other acts.” Do Androids Dance
Regardless of what you think paying customers may be entitled to, set that all aside and think about what you just read. Imagine dealing with the usual stresses of being a bottle girl coupled with your boss trying to coerce oral sex, forcing you to touch his genitals, and constantly berating you. I’ve said numerous times that slut-shaming is disgusting and wrong, so let’s analyze this:
- You are expected to wear your uniform, in this case of bottle girls, it’s usually “sexy”
The whole ‘asking for it’ bullshit shovanistic argument is kind of moot point. I couldn’t tell you what the exact uniform bottle girls there wear, but knowing vegas and clubs…it was likely one that was anything but conservative. Not to mention, the only thing you should be expected to do is bring expensive alcoholic bottle from point A to point B. Maybe be nice too. That should be it. And it gets worse:
“…the charges, when listed completely, paint an even darker picture: “rampant sexual harassment, drug use on the property, assault, battery, creating a hostile work environment, intentional infliction of emotional distress, attempted workplace intimidation.”-Do Androids Dance
The big takeaway here is: this is wholly unacceptable. This is NOT ok. A female worker in any fucking field is entitled to fucking respect. That should be gospel, law, and commonplace practice.
The twitter-bound EDM community has plenty of time to kvetch and rant about drama amongst ourselves. Let’s collectively focus our attention on this abhorrence, and make sure this isn’t dismissed as the “same ol story” and put to bed behind closed doors.
Something that has been irritating me for a considerable amount of time is the concept that all EDM events are ‘raves’, that all that listen to EDM as ‘ravers’, and that ‘PLUR’ can be mindlessly spewed and even defecated on with alterations like ‘PLURNT’ and ‘PLUR Bitch!’
I’m sorry, but Kandi kids aren’t necessarily the club crowd and the club crowd isn’t necessarily the ‘kandi-kid’ crowd that is celebrated on instagram. EDMsnob wrote a fantastic piece explaining the rich history of those wearing kandi, so I don’t feel the need to go into depth (especially since I’m a much newer face in that arena). But I will say is this:
Of the many people I’ve come across that tweet things tagged with ‘#PLUR’ and initiate projects that claim to be ‘PLUR’ and hock product with the false pretense that they are truly ‘ravers’, I have found that a startling few are who they claim to be. Very seldom do you meet someone whose Twitter handle or association precedes them, and find a genuine representation of what ‘ravers’ truly are.
After spending a night unwinding with some of the very first people to ever recognize me as ‘Ragehound’, I took a minute to look back on all the hard work I’ve put into taking the time to connect with anyone who has every reached out to me. Some have been incredible: they have accepted me with open arms, made me feel like a family member, and given me a sense of acceptance that no one ever could previously in my life. Some have taken time out of their day to come and meet with me, to teach me how to use a perler board, how to make a cuff, even gotten me a water and helped me to the front row my first time seeing a certain DJ. Some have held my hand and sung along to my favorite lyrics and cried with me when ‘that moment’ of a festival when it ends and the ‘comedown’ effect sets in full force. Some have stayed with me when I’ve stupidly tested my limits with drugs and alcohol and gotten too out of control and made sure I got home safe.
These kandi-clad people have been more of a family to me than my own at times, and that is why I get livid when their lifestyle is equated to a joke.
I view those who hock PLUR as a marketing tool as a joke. I also look at those who have begged and pleaded me to tweet their crap, promote their shitty venues, and support their jaded causes which wind up just being another marketing tool as jokers as well. Nonetheless I tweeted, I facebooked, I supported and championed them because that’s the person I am. I suppose what irked me in some cases, was when it came time when I needed that same favor, some magically found it ‘not feasible’ or suddenly ‘just didn’t have the time’.
What I largely discovered, was that these were the people who didn’t arrive at festivals with kandi they’d spent hours and hours making especially for people they knew and loved. These were not the people who sometimes went as far as to coordinate with their friends to match costumes, made sure everyone was hydrated, or took the time to explain subtleties of the music to newcomers who had seen a trailer for a festival on Youtube and yearned to experience an EDM festival for themselves. Instead, these were the people who wrote condescending articles in response to kandi kids, who scoffed and laughed at articles like my own explaining the connection between PLUR and charity, and who would leave comments like this on pictures of girls dressed for raves:
And these people are largely the ‘club’ crowd: the crowd that goes to ‘fine establishments’ to enjoy bottle service, listen to a carefully curated selection of ‘techno’ that they feel is far superior to the ‘drop heavy’ sets one hears at festivals (which I can respect), and views the ‘raver’ crowd as a mass of drug-addicted youngsters too jaded to understand what real music is. These are the people who will belittle you for the music you listen to, the clothes you wear, and wave their smug sense of entitlement about like a magic wand. They will tell you the ‘kandi kids’ are awful, tell you how they yearn for when no one knew about Tiesto or Hardwell, and when EDC wasn’t a neon parade of girls in underwear. They probably won’t let you get to the front of the stage, or offer you water. They may instead sneer at you with your parched mouth, thinking you ‘popped a molly and you are sweating’, and as a result think of you as some colorful insect pestering them.
So when individuals such as this tweet about ‘PLUR’ and wave their smug sense of self-importance at others while trying to call themselves ‘ravers’, I get frustrated. These were the individuals pouring beers from the VIP balcony onto shuffling ravers below at Pacha during Tyler Sherritt’s set (oh don’t worry, I saw you bunch of fools and I’ll return the favor). These were the assholes who elbowed a girl in the face next to me at Zedd when she tried to edge in front of a taller person to see.
These people aren’t ‘ravers’. They don’t preach ‘PLUR’, and probably can’t tell you where it originated. Don’t call them ravers; it’s an insult to those of us who are.
After an eclectic set at Pacha, New York’s rising vocalist / producer / DJ will be taking his talents to Rumor Philly on August 23. With his track ‘Petrichord‘ to release later in the year, Tyler’s live sets offer a diverse and upbeat mixed bag of favorites and aggressive sound.
Starting his career as a singer / songwriter, many of Tyler’s musical choices rely on captivating choices of vocal-driven tracks paired with heavy bass and deep house sound.
What can someone expect at one of Tyler’s shows? High-energy, smooth transitions, and intelligent track choices from start to finish.
For more on Tyler Sherritt: